Downtown Houston has so many fantastic sculptures - I'd like to take a full day sometime just to concentrate on photographing them. The one in the background here is fascinating, though I don't know it's name or origins...
Now for some Houston fall favorites. All of the pictures in this series were snapped downtown in a one-block area, in the northeast corner of the Bagby/Prairie intersection, across the street from the Aquarium restaurant. Each of the eleven in this series was taken with the 7000.
Very fortunately, it was foggy that day...
This particular shot was cropped in and a bit of work was done on the railing, including removing a seam in both tubes.
This picture was quite dull until applying the "Auto Levels" feature in Photoshop Elements. Then it popped to life, exposing the color behind the trees while increasing contrast in their branches.
...from the same spot as the previous posting, tilted up and over to the right a little. This is one that I reworked for this posting - a birdhouse that was distractingly bright was removed, as well as a PVC drain pipe. The highlights were darkened by 7%, which served to simultaneously increase color saturation and contrast.
Haven't finished with '05 favorites, but decided to post fall pictures for a while. This is Houston, and the trees here are just now beginning to show decent color, so now that I'm in a fall mood here they are.
The first dozen or so postings will be from New England, taken at the beginning of December 2007, in Wilmington, DE. This particular shot was snapped from the balcony of a condominium right next to the Brandywine River.
All New England Fall postings were taken with the Fuji 3800.
Completely untouched, this was at the Children's Museum in Houston on a Girl Scout outing. As usual, the 3800 performed perfectly in white balance and exposure. By this time I'd developed a preference for spot metering, which helped in this shot...
At the University of Houston they have this piece of art with phrases in all kinds of languages. A cigarette butt and some other trash was cloned off of the ground near her feet, but otherwise this photo, taken with the 3800, is untouched.
A table was set up for a Girl Scout ceremony, and as usual I was tinkering around before the thing got started. There was light coming through a door in the background, which was cloned out with the surrounding darkness. This is the same type of setup that was used for the candle shot seen in the header for this blog (look up!).
A 3800 shot through glass at Moody Gardens in Galveston. Due to the darkness, crowds, and reflectivity, indoor aquarium pictures in general are a challenge. ____________________
I never cease to be amazed at the diversity of life on earth. Growing up we all imagine fantastic creatures from other worlds, and perhaps even have drawn pictures of what life "out there" might look like. But really, what can compete with what we have here?
The 7000 was brand new to me, and this trip to San Antonio was the first in which it was used. For this shot I was experimenting with the shutter setting while panning to track the rider (set at one-fifteenth of a second). Blown out in some places and generally overexposed but the desired effect is there...
Taken on the same walk, this is in downtown San Antonio - a serene image in the midst of a very busy intersection just underneath. Some bird droppings were removed, and the reds were desaturated by about 20%. The reds come out a little too red in both the 3800 and 7000, so almost always have to be desaturated in a shot like this.
Sea World does a spectacular diving show, under cover for protection against the sun. Because of that roof it is necessary to arrive early in order to get strategically situated for the best shots - not in the front, where your camera would get soaked, and not on either edge, where the sun would provide too much back light. If successful, the reward is superb opportunity with action, animals, and shots that can be captured nowhere else...
Loaded with color, this girl was suspended with a thick blue strap, the proximal end of which can be seen in the upper right corner.
Taken from the street in one of those quickies as we were walking, this is probably my favorite steeple shot. Coincidentally, one of my photographer friends from church took almost the same picture years ago of the same steeple.
This was taken in the museum district of Houston, at the pool next to the Museum of Natural History. Taken with the 3800, color was saturated to intensify the blues...
The great thing about theme parks is that the coloring has already been done for you. In fact, tons of study has been done on what to do with color in every location, so all you have to do is snap-and-go...
Imagine having one of these guys as a pet! This is the first event in which the 7000 was used. After being initially disappointed in the indoor performance of the new camera, I was delighted that photos came out so well in natural light...after learning how to manipulate exposure control.
Some of Sea World's best shows take place under huge canvas awnings. This was on the stage before one of them began; the light was low but got there early enough to steady the 3800 on the back of a chair.
This is Hillary Duff at the Houston Livestock Show and Rodeo. The 3800 had a pretty good spot metering software.
One of the positives about using good ol' point-and-shoots is that you can see in real time through the view finder what the result will be pre-capture. For this shot all I did was move the camera around until seeing exactly the exposure needed, pressed the shutter halfway down, recompositioned and fired away. Immediately the screen froze with the result, allowing me to judge whether to keep or try again. With an SLR I would have had to shoot first, then verify by moving my eye away from the viewfinder to look at the LCD...possibly losing an opportunity during those few precious seconds.
My son's performance took place inside the Opera House in the Strand district of Galveston. It was a bit dark in there, but fortunately I was still shooting everything with the 3800, so white balance and exposure wasn't a problem. Even so, this photo required some post-capture work to brighten it up a bit.
Andrew hated to have his picture taken. He would run and hide whenever a camera (particularly mine) would point in his general direction. In family situations indoors, knowing that my subjects had to stay still in non-flash photos, he would remain in constant motion.
But on this day his photo-phobic tenacity actually was amusing. During his time on stage - and even during the performance itself - he would keep track of where I was in the auditorium and deliberately position himself behind someone, thwarting any attempt to have his picture taken (he was a percussionist, so not stuck in a chair). It was a cat-and-mouse ploy that had me laughing out loud by the time the performance was over...
I really, really love this picture...not just because it's in a graveyard, one of the more interesting places in which to hang out. This beautiful carpet of life over those who have passed on is the ultimate juxtaposition...
Occasionally a photographer will get lucky and see something that is worth capturing, even if there is no time to set up for a professional looking shot. This is a case in point. In Galveston for a band performance in which my son was participating, on Broadway I saw this dove. In a split second a decision was made and the brakes were hit hard. Fortunately there was a place to pull off to the side of the street, and in a few seconds I was out the door and fast-walking back to the scene - my goal was to make it back there before she decided to fly away.
With the 3800 a few shots were snapped off, but I realized that it would be more interesting if the red light was illuminated behind this mama bird. So there I stood on the street corner, camera in hand, waiting for the red light.
It may not be apparent here, but there is a "grainy" appearance due to the fact that it is cropped way in from a much larger picture. Since it was the 3800 there was a platform of only 3 megapixels to play with, but looks like it turned out fairly well in terms of data retention. With my electronic "pooper scooper" - the clone tool - some bird droppings were removed from the pole, and the photo was flipped horizontally since this was to be posted on the left-hand side of the blog page. The unsharp mask tool was used to increase detail in the bird and her nest.
Leakey is way out in the country, a great place to take long walks, if you could stand the August heat. The road along the side of the field had these flowers (or whatever they are) growing along a barbed-wire fence. Bessie the cow looks on...
After flights that sometimes last an hour or more, soaring through the skies in acrobatic grace, the pilots are reduced to clumsily walking their contraptions back to the hangar...
In this picture some telephone wires were removed, but otherwise it's untouched.